At the NCRegister: "La La Land" and the Liberating of Traditions

“La La Land” is the only recent movie I have seen to which I can relate to so completely. My husband and I finally got around to it the other night on our anniversary. We had gone out for a nice Italian dinner, perused a used bookstore, came home to kids ready for bed (thank you, babysitter), put them to bed, and streamed the movie on my husband’s laptop—the strange mix of modern times and traditional ways did not strike us as funny at all. Of course we would stream a movie on our date night since we do not have a television. Of course we would first take time to Instagram a picture of the gorgeous 90-year-old 31-volume set of Robert Louis Stevenson we had found at the bookstore lamenting, yet thankful, that the books had been passed over so many times to have been marked down three times. We felt that we had to liberate them from the dusty top shelf and bring them to a place where they would be truly appreciated.

I wondered as we drove home what our society had come to that it did not see the value in so brilliant a writer as Stevenson or even the set of Charles Dickens that we left waiting for another sympathetic buyer. And then we turned on “La La Land”—a film about people of my generation seeking their dreams and discovering that they cannot perhaps have it all after all, a film indicative of our generation discovering that all the liberation that happened in the sixties and seventies did not give us anything solid to stand on. In fact the film downright promotes all that my adult life has been focused on—discovering the beauty of our past traditions and bringing them back as fully as possible into our modern lives. I am fully aware that we cannot have the fifties again—nor do I want the fifties again. We can’t go back, but we can recover the beauty that was lost, because the artifacts of it are still there to be found...


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